Pratiksha Ghosh
May 26
Rajkummar Rao’s latest outing, Bhool Chuk Maaf, is proving to be a surprise box office performer, crossing ₹27.75 crore in just three days and overtaking the lifetime earnings of Emergency, which had managed only ₹19 crore.
Directed by Karan Sharma, Bhool Chuk Maaf is a time-loop comedy that blends quirky storytelling with emotional undertones.
The film opened to ₹7 crore on day one, followed by ₹9.5 crore on day two, and a strong ₹11.25 crore on day three, reflecting solid word-of-mouth and growing audience interest despite lukewarm critical reception.
Critics have had mixed responses to the film. While some praised its unique premise and comic timing, others also noted that the narrative relied heavily on clichés and lacked freshness.
One recurring critique has been Rao’s continued portrayal of small-town characters, a niche that once set him apart but is now beginning to feel repetitive.
However, Wamiqa Gabbi’s performance has been widely appreciated, with many calling her the heart of the film. Her role, though not central, adds emotional depth and a much-needed dynamic to the otherwise formulaic plot. Her chemistry with Rao has also been highlighted as a strength.
The film’s success is especially notable as it surpasses Emergency, the political drama that failed to connect with audiences despite heavy promotion.
In contrast, Bhool Chuk Maaf has ridden on Rao’s popularity, audience curiosity around its time-loop concept, and positive social media chatter.
As , it continues to perform well at the box office, Bhool Chuk Maaf stands as another example of how content-driven mid-budget films can still thrive in a market dominated by big-budget spectacle provided that they strike the right emotional and entertainment chords.
